>I know I’m cynical, but…#1

>

..this is REALLY a bit much.


Valerian (Valeriana officinalis) is a medicinal herb with sedative attributes.


I’ve never tried it personally, but I read recently that it also works on COMPOST HEAPS, as well as on people, so I might give it a go.


According to the recipe, you take a couple of handfuls of valerian leaves, steep then in a bucket of water for two weeks, filter the stinking mess fermented liquid and then – get this – DILUTE to something like 3 ppm.


Pour this on your compost heap, which will then be sedated, not overheat and provide compost that smells of rose petals.


Or something like that.


This dilution business got my suspicions up – sounds distinctly like homeopathy, which has more than enough charlatans in its ranks – and I always thought that the idea of composting is actually to make SURE that a compost heap gets a good temperature to kill off all the nasties.


But then again – what do I know….?


(Listens. Do I detect the faint sound of snoring from the vege patch…?)




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>Rule #1 – Don’t run with scissors

>

Rule #2: Don’t let confused old men get their hands on this Gerber Crucial Multitool

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>Can’t find my way home – Blind Faith

>

Steve Winwood (just turned 21, I hadn’t quite…), Ginger Baker on drums, Rick Grech on bass with Clapton playing a solid 6 minutes of delicate fillers with a choice solo thrown in for good measure.

Does it get much better than this?

Can’t find my way home – Blind Faith.mp3

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>And close the gate, too…

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>Leaving home

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>The Bruce and Denny Show

>

The McLaren M1C replica



Article in Wired

Plus a good video series on NZ on Screen (Clip 5’s about CanAm, but the rest is choice stuff)

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>Micromanaging

>

New Zealand’s Commerce Commission has come to an agreement with Visa, a credit card issuer, that will allow retailers to pass on transaction costs to customers.

You see, in the past, retailers took the cost of providing credit card facilities as a “cost of doing business” and factored it into their prices.

No more.

When you use your credit card (as from 17 April next year), you’ll likely see a surcharge of 1.8% on your bill.

And knowing the way that almost everything in New Zealand is micro-managed – go to a restaurant on a public holiday and they’ll surcharge you, because wage costs are higher on those NINE DAYS out of 365… – you’ll also be charged for paying cash (“because someone has to count the money and take it to the bank and then there’s the theft insurance premium to pay”) or by cheque (“because we then have to hire people who can read…”)

Forget the fact for a minute that a BIG chunk of a retailer’s sales on credit cards are either impulse purchases or planned purchases that are brought forward out of the convenience of “being able to pay later”.

And if you take it to extremes (which someone surely will) they’ll start charging at supermarkets if you don’t use self-checkout (“because we have to provide staff, you see”).

And buying a bottle of wine will attract a “Supervisory Charge” (“because an adult has to walk over to the till to approve your purchase”)

File this under “Disappearance of common-sense“.

Or Irony

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>Freedom’s just another word……

>


Fearlessness may be a gift but perhaps more precious is the courage acquired through endeavour, courage that comes from cultivating the habit of refusing to let fear dictate one’s actions, courage that could be described as ‘grace under pressure’ – grace which is renewed repeatedly in the face of harsh, unremitting pressure.

Daw Aung San Suu Kyi, 07.10.1990

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>What you think I am – a fucking jukebox?

>


I once worked with a guy (that’s him on the left…) who (I thought) was the spitting image of Willy DeVille.

I meant it as a compliment, but I don’t really think he took it as such.

Even less so someone else’s assessment that he bore a striking resemblance to Lucky Luke.

Klaus came to me with the reputation of being “difficult” (people used to roll their eyes at the mere mention of his name, and I got words of sympathy when he moved into my organisation), but I guess “like poles attract”, because we got on famously.

Willy DeVille fits that mould.

At the first concert I saw, people were yelling for “Hey Joe” – his strongly Mexican-influenced take of Jimi’s original.

“Do you see a fucking Mariachi band anywhere here on the fucking stage?” he asked.

Shut them right up.

Saw him again and again and again
“What you think I am – a fucking jukebox?” he’d say when people annoyed him with their constant yelling of requests.

“You know, you have to understand” he said at one his last concerts in Germany “I’m an artist, I’m not a pop singer. I don’t write for 12-year olds”
“People come to see me because they come to see something different. That’s all”
And that in the laconic drawl that you hear on “Southern Politician“. Lyrics here.

A bit like Lucky Luke, probably…

He died last week and it made me quite sad.

It also pissed me off mightily, in fact.
His concerts were ALWAYS choice and ALWAYS a good place to bump into my mate Martin Kijaszek aka Billy Crash.

Last time we saw him (at the Schlachthof in Wiesbaden) Martin wrote and said “That was REAL music”

That’s for sure.

Definitely not for 12 year olds….

So here’s a recording of the concert on 6 March 2008 in the Muffathalle in Munich

Willy DeVille in concert (courtesy of Bayern 2 Radio) – 55 minutes/123 MB
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>Sometimes, I think I expect too much….

>

Opened a ceramics exhibition at the excellent Kasino Gallery the other day – all v. serious stuff and some fairly big names, a couple of whom I know quite well (and like a lot).

“Don’t expect any arty-farty stuff” I said “You know me better than to expect that”

“No, no” chimed the girls (Sandra Nitz, Petra Bittl et al)in chorus “It’ll be REFRESHING not to have any arty-farty stuff”

So I talked (to a seriously arty-farty audience) about finding your own wavelength when it comes to ceramics.

Frequently, there’s an instant empathy between the viewer and the object, but it mostly takes time (years, even) to tune your aesthetic antennas to recognise the superb from the merely excellent.

(There’s a nice story that Karl Scheid, 80 years old and one of the true greats of German ceramics, told me last year. He was at an exhibition many years ago with his friend and gallery owner, Henry Rothschild, and was surprised that Henry didn’t buy a pot he was admiring.

Henry said “Yes, it’s a fine pot, but it didn’t say “Henry” to me…”)

I said that it’s like tuning an old-fashioned radio – you spin the dial and hear snippets of programs and then stop on a station that sounds interesting and listen a bit more.

“Pink Floyd” I said “The introduction to “Wish you were here” illustrates it perfectly”

Blank looks.

They all – EVERYONE (and it was a sizeable audience) – looked at me as if I was trying to explain quantum mechanics through yodeling.

So I had to EXPLAIN it to them – fragments of music and talk, a BBC Radio 4 discussion, a snippet from Tchaikovsky’s 4th Symphony (they woke up at that…) and then the distant and distorted first notes of the acoustic guitar as it leads into the song.

Now, I KNOW that I’m not your average geriatric, but I thought that EVERYONE knows that song.

Or that they’d at least HEARD of Pink Floyd.

I was in fact tempted to take along my vinyl and get the soundboard man to play a cut at the appropriate time.

Good thing I didn’t.

I’m convinced they would have fled the room, screaming.

Which would have been guaranteed if he’d spun the Kinks’ “Around the dial“……

(Did you see me on the TV by any chance? Talk about a media star…..)

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