>Don’t ask me (about my friend the professor) – #11

>I have a friend who’s a professor.

Ph.D. Teaches at a university.

A real professor.

As you might imagine, he’s a pretty clued up guy.

There have been some lapses of concentration, though.

You risk getting beer that’s a year past its best-by date if you’re not careful.

And he once set a fondue alight.
Not the oil. The metal structure.

The painted metal structure.

We were pretty far into the evening, so we just sat there and looked at each other and watched the soot gather on the ceiling and when the pyrotechnics were over, he said “That was interesting” and carried on as if nothing had happened.

His Dad told me the family legend of how he once almost cooked the family cat, but I’m not allowed to mention that, so I shan’t.

He’s also a guest professor at the University of Dijon so he recommended a place to stay down there.
Keyed the address into the new nav system and off we went.

Got to the village, drove past quite a nice looking establishment, but the witch-in-the-box insisted that we had another 700 meters to go.
“You have arrived at your destination”, she said.
Look at the place.
It says ” Number 20″
Look at the place again.


To say it didn’t meet expectations would be an understatement..

But then again, it might be one of these infrequent lapses of concentration.

Rang some bells at the collection of hovels. No answer.

Thought we might have a look at the other place .
Just in case.

Number 20. The right road.
Lucky for him


He’s also been known to get dressed up as a reindeer for a Xmas card, but that’s even another story altogether…..

Here’s some Professor Longhair, anyway.
Mardi Gras in New Orleans.mp3 by himself.
Her mind is gone.mp3 from David Lindley and Hani Nasser.

For the follically-challenged.

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>The Midweek Mixtape – 23 May 2007

>Mix and Match #9

[Disclaimer #1: The mixes and the majority of the tracks from all of these mixtapes are the original C90s from the late 70’s/early mid 80’s. Vinyl to tape. Play a couple of hundred times. Tape to mp3. Snap, crackle, pop and hums are free of charge]

[Disclaimer #2: Meg from Nelson is helping out for a couple of weeks. To say that our musical tastes have few touch points would be an understatement. If you’re surprised to find Barry Manilow, Andy Williams or Liberace here, don’t look at me]

No Phil Collins. I think I was in remission.
Nice linkage here. I think so, anyway
Starts with Wolfgang Ambros and Dylans” Like a rolling stone” with an impenetrable Austrian accent. Great reading.
Then Bob with “Jokerman” – Mark Knopfler with delicacy counterpointing Mick Taylor’s raunchy edge
Then Knopfler from “Local Hero” – one of the great “small” films
Then the Eagles with “All night long” from “Urban Cowboy”. Played in Houston as did “Local Hero”
“Caravan” because Van the Man really would have played all night long ” One more time”… kick”
Clapton was there on the night, too and I first heard “Badge” driving my bosses car to the airport through the Domain in Auckland
Trivia: George Harrison was at Eric’s place and said “”Badge”.That’s an interesting title” and Eric said “No, George. It’s says “Bridge” That’s the bridge. But then again, why not…?”
True story.
Fizzles out there, but Meatloaf and Steinmann match.
And if you want more Zevon, there’s a “Don’t ask me (about WZ)” from last week

Allan Wia A Stan – Wolfgang Ambros from Das Beste Von Wolfgang Ambros
Jokerman – Bob Dylan from The Best Of Bob Dylan
Going Home: Theme Of The Local Hero – Mark Knopfler from Screenplaying
All night long – Eagles from Live
Caravan – Van Morrison from The Last Waltz (Disc 2) [Live]
Badge – Cream from The Best of Cream
Catch me I’m falling – Real Life from Heartland
I want a new drug – Huey Lewis & The News from Sports
Hot nite in Dallas – Moon Martin from Shots From A Cold Nightmare
Snakes on everything – Little Feat from Little Feat
New sensations – Lou Reed from New sensations
Like a Rolling Stone – Bob Dylan from Highway 61 Revisited
Razor’s edge – Meatloaf from Midnight At The Lost And Found
Rock and roll dreams come through – Jim Steinmann from Bad for good
No surrender – Bruce Springsteen from Born in the U.S.A.
Six feet of snow – Little Feat from Down on the farm
The late show – Jackson Browne from Late for the sky
Kiss the bride – Elton John from Too low for zero
Desperados Under the Eaves – Warren Zevon from Warren Zevon
Me & Johnny – Rick Springfield from Living in Oz

Mix and Match 9.mp3 87.8MB 1:33:40 (Must have stretched the tape..)


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>Don’t ask me (about Barry Manilow) – #9

>


The…what?…of Barry Manilow.mp3

– it can’t be the Best of Barry Manilow – the superlative form of the adjective sets “good” as a prerequisite.. –

is one hour and seventeen minutes of genuinely terrifying industrial noise, a sort of aural equivalent of “Eraserhead”.

Like David Lynch’s film, it conveys a chilling, bleak, monochrome dystopia, full of blood-curdling shrieks and clangs although I seem to remember that the movie offered the odd moment of respite, an occasional touch of bizarre and malformed hope. whereas “The…what…of Barry Manilow” offers none at all.

If you haven’t heard it and still wish to, set an evening aside, make sure you’re not alone in the room (experiencing the song through headphones, incidentally, will almost certainly result in hospitalisation) and take the following day off work..

With acknowledgment to Nick Hornby

[Disclaimer: Meg from Nelson is helping out for a couple of weeks. To say that our musical tastes have few touch points would be an understatement. If you’re surprised to find Barry Manilow, Andy Williams or Liberace here, don’t look at me]

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>31 songs – The End

>

Röyksopp? The Avalanches? Soulwax?

All good stuff and if it hadn’t been for Nick Hornby, I’d be richer financially and poorer musically.

And I hadn’t bought a Patti Smith album at that stage. And I wouldn’t have discovered “Hey Joe” with her Patti Hearst monologue

“You know what your Daddy said, Patty? He said… he said… he said…Sixty days ago ago she was such a lovely child. And here she is with a gun in her hand”

26. Needle In A Haystack – The Velvelettes – Nick Hornby/31 Songs
27. Let´s Straighten It Out – O.V. Wright – The Complete O.V. Wright On Hi Records, Volume 1: In The Studio (Disc 1)
28. Röyksopp’s Night Out – Röyksopp – Melody A.M.
29. Frontier Psychiatrist – The Avalanches – Nick Hornby/31 Songs
30. Push It Like A Dog (Soulwax Remix) – The Stooges Vs Salt N’ Pepa – As Heard On Radio Soulwax Pt. 1
31. Pissing in a River – The Patti Smith Group – Radio Ethiopia

And this is the end, my friend.

If you haven’t bought the book yet – bollocks.

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>The Midweek Mixtape – 16 May 2007

>

Mix & Match #8

[Disclaimer #1: The mixes and the majority of the tracks from all of these mixtapes are the originals from the late 70’s/early mid 80’s. Vinyl to tape. Play a couple of hundred times. Tape to mp3. Snap, crackle, pop and hums are free of charge]

[Disclaimer #2: Meg from Nelson is helping out for a couple of weeks. To say that our musical tastes have few touch points would be an understatement. If you’re surprised to find Barry Manilow, Andy Williams or Liberace here, don’t look at me]

An explanation or 2 needed here (and a mea culpa for yet another Phil Collins. Fuck me sideways. What was I thinking back then)

Bap is a band from Cologne and they write and sing in the local dialect (which I understand mostly and speak pitifully badly). Legendary status and hugely influential in the early 80s.

Jupp (“Joseph”) is pure brilliance.

Tells the story of a tramp who meets up with his mates under the Severin’s Gate (Severinstor – Fringspooz – see what I mean about dialect..) with a flagon of cheap Italian wine and his worldly possessions in a plastic bag and tells tall tales.

Balancing on the Equator, knife fights that cost him his thumb, the thousands of women, playing cards with two yeti in Kathmandu, gold fever, dancing the twist with a cobra, a checkered zebra, Lola, the blond fairy from Beijing….
And then someone asks him about Stalingrad

“Wo litt dann Stalingraad ? En welchem Land es dat?” (Stalingrad? Where’s that? Which country’s Stalingrad in?)
Stalingraad pack hä nie, irgendwie. (Stalingrad left its mark. He’s never recovered)

Goosebump stuff. There were hurt vets before Vietnam. For sure. Just no TV.

“Ahn ‘ner Leitplank” – Ode to a crash barrier – is a glance out of a car window passing a car crash. Pathos heaped on a mite thickly.

But the rest is beaut…

Waterloo Sunset does ‘Ooh lala ooweeoo” to perfection
Bob Seger – still doing it well – for the thundering bass drum as he rolls away
Page 43 for the ease of it all. And Lee Sklar’s bass
Joe Walsh. Subtle as a brick and delicate with it. Not here, necessarily…
Skip “Somebody’s Baby. Please. Although it’s for a Cameron Crowe movie, so it squeezes by. Just.
The Loner still frightens me with its intensity
As primal screams go, Won’t get fooled again is in a class by itself.
Andrew Gold belongs in last week’s suck-without-a-trace M&M, actually.
Dr John doesn’t

And I’ve seen 7 of these acts live.
Not bad, eh.

Really wanted you – Emitt Rhodes from Mirror
Walk away Rene – Ricky Lee Jones from Girl at her volcano
It don’t matter to me – Phil Collins from Hello, I Must Be Going
Jupp – Bap from für usszeschnigge
Waterloo Sunset – The Kinks from Boots Rock Collection
Roll me away – Bob Seger & The Silver Bullet Band from The distance
Page 43 – Crosby & Nash from David Crosby & Graham Nash
Bright Side Of The Road – Van Morrison from The Best Of Rock Legends
I can play that rock & roll – Joe Walsh from You Bought It You Name It
Steppin’ out – Joe Jackson from Night and day
Nashville cats – Lovin’ Spoonful from The Lovin’ Spoonful
Somebody’s baby – Jackson Browne from Best
The sea refuses no river – Pete Townshend from All The Best Cowboys Have Chinese Eyes
The loner – Neil Young from Neil Young
It’s a mistake – Men at work from Cargo
Looking For The Next Best Thing – Warren Zevon from The Envoy
Won’t Get Fooled Again – The Who from The Best Rock Album In The World
Ahn ‘ner Leitplank – Bap from vun drinne noh drusse
Hope you feel good – Andrew Gold from What’s wrong with this picture
Such a night – Dr John from The Last Waltz

Mix and Match 8.mp3 82.4MB 1:27:55

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>Don’t ask me (about Warren Zevon) – #8

>
Please do, actually.

I bought the eponymous album in 1976 at Virgin’s first (biggish) store at Marble Arch on the basis of a pretty good review in Rolling Stone (that one of the the Lufthansa crew who lived in my apartment block brought back for me.)

Took it back to Peter Wroe’s flat, dropped the needle and that was it – hooked for life.

The first album has just about everyone of note in the LA session scene of the mid-1970s, plus a few more – Browne, Lindley, Wachtel, Buckingham-Nicks, half the Eagles, Phil Everly, Bonnie Raitt, Rosemary Butler, Carl Wilson.

That’s what happens when Jackson Browne takes you under his wing. And gets you invited along to an music industry party to play a few ditties.

And you’re playing “Poor poor pitiful me” and singing

I met this girl at the Rainbow Bar,
She asked me if I’d beat her
I took her back to the Hyatt House
I don’t want to talk about it….

and then you go

“HUT!”

Jackson Browne said “And every motherfucker and near-motherfucker in the room stopped, turned and looked”

So – for the few souls on the planet who haven’t a clue what I’m talking about – here’s a pretty good mix

You’ll find lines like

“Don’t the sun look angry through the trees
don’t the trees look like crucified thieves
“

and

“You looked like something death brought with him in his suitcase“

and

“And if California slides into the ocean
Like the mystics and statistics say it will
I predict this motel will be standing
Until I pay my bill”

Significant chucks of the first album – the stuff above, “Carmelita“, “Join me in LA” with Bonnie Raitt and Rosemary Butler, “Lawyers, guns and money” and “Johnny strikes up the band“
from “Exitable Boy” , “For my next trick I’ll’ need a volunteer” from a BBCsession, “Don’t let us get sick” off the new “Preludes” album, David Lindley and Hani Naser “Play it all night long” live in Tokyo, the wonderful “Poor poor pitiful me” acoustically live in Australia with a touch of “Waltzing Matilda” for good measure, “Stand in the fire” live at the Roxy and “Studebaker” sung by his son Jordan from “Enjoy every sandwich”

[Disclaimer: Meg from Nelson is helping out for a couple of weeks. To say that our musical tastes have few touch points would be an understatement. If you’re surprised to find Barry Manilow, Andy Williams or Liberace here, don’t look at me]

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>31 songs – Part 5

>
Not sure about “Puff the Magic Dragon”…

Ian Dury can’t put a foot wrong, as far as I’m concerned.
And it’s tragic that he’s only really known for “Hit me with for rhythm stick” and “Sex and drugs and rock’n’roll.”

Billericay Dickie is as good as anything ever written about leg-overs.
And “There ain’t half been some clever bastards” sank without trace

Summer, Buddy Holly, the working folly
Good golly Miss Molly and boats
Hammersmith Palais, the Bolshoi Ballet
Jump back in the alley and nanny goats

18-wheeler Scammels, Domenecker camels
All other mammals plus equal votes
Seeing Piccadilly, Fanny Smith and Willy
Being rather silly, and porridge oats

A bit of grin and bear it, a bit of come and share it
You’re welcome, we can spare it – yellow socks
Too short to be haughty, too nutty to be naughty
Going on 40 – no electric shocks

The juice of the carrot, the smile of the parrot
A little drop of claret – anything that rocks
Elvis and Scotty, days when I ain’t spotty,
Sitting on the potty – curing smallpox

Health service glasses
Gigolos and brasses
round or skinny bottoms

Take your mum to paris
lighting up the chalice
wee willy harris

Bantu Stephen Biko, listening to Rico
Harpo, Groucho, Chico

Cheddar cheese and pickle, the Vincent motorsickle
Slap and tickle
Woody Allen, Dali, Dimitri and Pasquale
balabalabala and Volare

Something nice to study, phoning up a buddy
Being in my nuddy
Saying hokey-dokey, singalonga Smokey
Coming out of chokey

John Coltrane’s soprano, Adi Celentano
Bonar Colleano

Hornby finds – in contrast to “Reasons to be thankful” – in “Calvary Cross” an “older England, full of dark satanic peasants and howling winds and pigs’ bladders and what have you”
I think he likes Ian Dury’s England better…

And he was over 40 before he heard Lindley’s “hymnal, soulful guitar solo” and the breathtakingly sombre beauty” of “Late for the sky”.
More fool him.

Mark Mulcahy represents not the music, but the discovery process.
Record store owners who point you in a direction you might not ventured, wine merchants who give you a bottle of muscadet (Muscadet? Fuck off!) to try and you find you like it.

Or the folks on my blogroll who excite me virtually every day with new finds.

Buy the book, visit their blogs.

21. Puff The Magic Dragon – Gregory Isaacs – Nick Hornby/31 Songs
22. Reasons To Be Cheerful, Pt. 3 – Ian Dury & The Blockheads – Nick Hornby/31 Songs
23. The Calvary Cross – Richard & Linda Thompson – Nick Hornby/31 Songs
24. Late For The Sky – Jackson Browne – Nick Hornby/31 Songs
25. Hey Self Defeater – Mark Mulcahy – Nick Hornby/31 Songs

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>The Midweek Mixtape – 9 May 2007

>

Mix & Match #7

[Disclaimer: The mixes and the majority of the tracks from all of these mixtapes are the originals from the late 70’s/early mid 80’s. Vinyl to tape. Play a couple of hundred times. Tape to mp3. Snap, crackle, pop and hums are free of charge]

Not a significant duff-ness factor here.

I bought a music magazine in Wellington in January 1967 on the way to RNZAF Wigram and the 47 Air Crew training course. I read about how Brian Wilson had multitracked this and that and layered sound on sound on sound to make “Vibrations” and I was hooked. S

tuff like that probably crowded out important things (like navigation and airman skills), so that they decided they didn’t have enough aircraft to entrust me with one ( lot of water around New Zealand…) and I should perhaps look for a different career track.

Some stuff here is obscurely good. Great even.
Karla Bonoff rode in on the tailcoats of the LA music mafia and got devoured by the machine – “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There’s also a negative side.” (Hunter S. Thompson)
Sniff ‘n’ the tears, Marc Benno, Greg Copeland. Sunk without a trace.

I remember buying “Night moves” at a record store near the station in Frankfurt (v. dodgy part of town back then) and the guy said sneeringly “It’s just the same old stuff”.
And I said” Yeah, but does it so WELL”. And I’ll stand by that.

It’s probably uncool to like Burton Cummings, but he deserves to be here for his Guess Who stuff.

Only know Robert Palmer in a silk suit with open-mouthed dollies swaying in the background? Listen to him with Feat and bits of the Meters.

And isn’t “Too drunk to remember” the perfect anthem to good times..?
Is for me.


Good vibrations – Beach Boys from 20 Golden Greats
Personally – Karla Bonoff from Wild heart of the young
Gold – Sniff ‘n’ the Tears from Ride blue divide
Front page news – Little Feat from Down on the farm
Walk out in the rain – Eric Clapton from Backless
What kind of love is this – Amazing Rhythm Aces from How The Hell Do You Spell Rhyhthm?
The Fuse – Jackson Browne from The Pretender
Quarter of a man – David Lindley from El Rayo-X
Lost in Austin – Marc Benno from Lost in Austin
Dance dance dance – Steve Miller Band from Fly like an eagle
My own way to rock – Burton Cummings from My own way to rock
Starting place – Greg Copeland from Revenge will come
Sweet Home Alabama – Lynyrd Skynyrd from Rediscover The 70’s (You Ain’t Seen Nothin’ Yet)
Lawyers guns and money – Warren Zevon from Excitable Boy
Ship of fools – Bob Seger & The Silver Bullet Band from Night moves
No Woman No Cry (Live) – Bob Marley & The Wailers from One Love
Stand and fight – James Taylor from Dad loves his work
Couldn’t get it right – Climax Blues Band from Gold Plated
Too drunk to remember – Carlene Carter from Musical Shapes
Sneaking Sally Through The Alley – Robert Palmer from Best Of The Test (Disc 2)
Someone To Lay Down Beside Me – Linda Ronstadt from Hasten down the wind

Mix & Match 7.mp3 82.4 MB 1:27:54

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>Don’t ask me (about Waltzing Matilda) #7

>
Waypoints are sets of coordinates that identify a point in physical space.

In the aviation world, they’re sometimes defined as intersections between two VOR radials, or in terms of specific distances and headings towards or away from a radio beacon

Look at an aeronautical chart and you’ll see random combinations of 5 letters.
Those are your waypoints.

They’re mostly constructed so that they can be pronounced like real words, but are normally pretty mundane.
Some aren’t.

Close to Seattle, you’ve got
ITAWT
ITAWA
PUDDY

TAATT

Australia’s goes one better, though.

Donate $100 to your favourite aviation charity and you can name a waypoint,.
And it’s all official.

And there are some beauts.

SOSIJ SIZZL – close to Sydney.

LEAKY, BOATS, SINNK, DRAIN and PLUGG – not far out of Brisbane.

But the best by far is from Perth

WONSA
JOLLY

SWAGY

CAMBS

BUIYA

BILLA

BONGG

UNDER

SHADE

COOLA

EBARR

TREES

Who ever names these things is in need of serious help…

But here’s Tom Waits, Rod Stewart, June Tabor, Concordis and someone else to provide you with the lyrics and some cool music.

And Warren Zevon slips in a hint of WM on “Poor poor pitiful me” from a live Aussie concert on “Learning to flinch”

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>31 songs – Part 4

>This set is why I like Nick Hornby.

OK, they’re 5 songs that would grace anyone’s mixtape.

But there’s more.

He writes about context.

“It’s what happens when people are deified. The eighteenth-century British scholar Edmond Malone calculated that Shakespeare “borrowed” two-thirds – 4,144 out of 6,033 lines – from other sources for Henry VI, Parts I,II and III, And , though Henry VI is a minor play, the point is that this stuff was out there, in the world, and Shakespeare inhaled it. What he exhaled was mostly genius, of course, but it was not genius that came out of the blue; it had a context.”

Now, buy the bloody book and find out what comes next. And if Ben Folds Five works within a context. Or if there is a context in pop music in the 90s.

And I was sorely tempted to substitute “Caravan” from “The Last Waltz” for the studio version. Later, maybe…..


16. Smoke – Ben Folds Five – Nick Hornby/31 Songs
17. A Minor Incident – Badly Drawn Boy – Nick Hornby/31 Songs
18. Glorybound – Bible – Nick Hornby/31 Songs
19. Caravan – Van Morrison – Moondance
20. So I’ll Run – Butch Hancock & Marce Lacouture – Yella Rose

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